Berimbau Workshop 2006

with Mestranda Edna Lima and Abadá Capoeira New York

crafting traditional Capoeira berimbau:
verga, arame, and cabaça ...

The importance of the berimbau shows up in different aspects. Generally, the person playing the berimbau is in charge of the roda. During the jogo de capoeira, the berimbau is a symbol of authority ... this means that the roda has a commander with the authority to choose the partners, and begin and end games.

Capoeira by Bira Almeida

Complete Berimbau

verga • bow | arame • wire | cabaça • gourd
dobrão • stone | vaqueta • stick | caxixi • shaker

The Brazilian berimbau is a gourd-resonated, braced musical bow of African origin ... a 4-5' branch of biriba, bamboo, oak or other wood bent into an arc. The bow is strung with a single metal string, usually recycled from an industrial use.

Attached to the convex back of the bow with a small loop of string is a gourd resonator. The string is struck with a thin stick called a vaquita or vareta, which is held in the player's right hand along with a small basket rattle called caxixi.

A small coin (dobrão) or stone (pedra) held between the musician's left thumb and index finger is pressed to the string, resulting in a pitch change of about a minor or major second above the berimbau's fundamental tone.

Berimbau by Richard P. Graham and N. Scott Robinson

The berimbau is an instrument of the chordophone family known by the melodic hi-lo sounds from a steel string: lo sound from a fundamental, open string and hi sound from a coin pressing the string. It is possible to tune the hi-lo sounds to definite pitches.

The gourd is tied to the bow by a ring-like cord called a bridge. The fundamental pitch is changed by moving the bridge up and down. In capoeira the berimbau provides rhythmic feeling for the game and song patterns with two melodic sounds (hi-lo), a buzz sound or tremolo effect (repique), gourd effect (wah-wah), and caxixi solo.

There are three kinds of berimbau determined by their tonal range. Gunga is the low range and establishes a steady rhythmic pulse of the traditional themes. Centro is middle range and develops the rhythmic theme, bringing out patterns. Violinha is the high range and provides embellishment by playing classic variations.

The Berimbau by Luiz D'Anunciacao

Mestranda Lima matching and tuning a new berimbau